沒料到作品禪味十足的知名建築師安藤忠雄，七十多歲，一開場便紮紮跳，透露獨門方式訓練腦筋和意志，更和你來個青春無懼的釋義：一切都有可能的。沒上過大學，沉迷拳擊，自學建築，在奈良寺院頓悟，他娓娓道來；再看大膽思維：建在水上的，建在蓮花池下的，藏身島裏的。他將小房子變成大世界，變成人與大自然同呼吸的理想國度。千萬人反對，每次貫徹意念，像武士揮刀作戰。最後來到上海建劇院，向難度和經濟效益越級挑戰。武士打不死，因為座右銘「我們只活一次」。

世界知名建築師「安藤忠雄」，被譽為『極簡主義大師』。他的建築作品榮獲各項國際大獎，設計風格強烈，以毫不掩飾、混凝土外裸的大膽擺設，創造日本傳統建築與現代主義的全新連接！大師的獨特觀點是什麼？本片將揭開神秘建築大師的工作過程，分享安藤忠雄創作的靈感與動力來源！

注：本条目与2014年4月6日放送的情熱大陸 安藤忠雄篇有所区别，此为2010年6月13日放送。14年在豆瓣暂无条目。 　　========================================= 　　１９９８年の番組開始直後に取材した人物に再びカメラを向け、時代の変化を読み解く「情熱大陸６００回記念シリーズ」第三弾は建築家の安藤忠雄。この１２年、日本の景気は停滞し続け「コンクリートから人へ」のスローガンが象徴するように建設業界も元気が無い。その中で変わらずパワフルな 安藤の上海・北京での巨大プロジェクトに密着すると共に、“今、最も大切にしている仕事”と言う「新人教育」を徹底取材！今春、安藤の事務所に入った東大大学院卒のスーパーエリート２人、通称「ツインタワー」に巨匠が教えた最初の仕事とは―？「景気が悪い、悪いと嘆くな！日本の景気が悪けりゃ世界のどこかへ行けばいいだけやんか」寸暇を惜しんで若者たちに語りかける言葉は、悩める現代人にとっても「生きるヒント」になりそうだ。

Raia, a famous writer struggling with writer's block, travels to New York to get inspired. There, she meets River and becomes entangled in a love story haunted by the past.

On April 11, 1992, The Grand Opening of Euro Disney aired on CBS, offering viewers a spectacular, entertainment-filled evening as well as a special “sneak preview” of the Euro Disney Theme Park and Resort. The special was simulcast live across Europe in five languages and broadcast later the same day in the United States. Each country’s customized broadcast was hosted by popular local celebrities, introducing entertainers from their own countries.

The trials of a U.S. Army platoon serving in the field during the Vietnam War.

In 2003, Lu Changhe, a determined official, is tasked with overseeing the restoration of the Grand Canal in Dongjiang City. He addresses pollution, manages resident relocations, and preserves historical landmarks, ultimately contributing to the canal’s inclusion on the World Heritage List in 2014.

Ice suddenly becomes a more valuable commodity during the Joseon Dynasty and a gang of eleven professionals are assigned to protect the market situation from irresponsible people.

This documentary recreates a genuine sense of the personal presense of the late modern architect, Paul Rudolph, and the ambience of his studio. Mr. Rudolph was widely recognized within the architectural profession as spontaneously brilliant, and the unchallanged master of space and the manipulation of form. The episode during the construction of the chapel at Emory University gives insight into the kinds of frustrations artists often suffer at the hands of short-sighted patrons. A fine film, based upon the reality it conveys, if for no other reason.